Scales and Melody
 
 Overview 

 1) Sound and Music 

 2) The Major Scale 

 3) Chords and Harmony 

 4) Scales and Melody 
    Introduction 
    Major Scale Revisited 
    Natural Minor Scale 
    Major and Minor Keys 
    Harmonic Minor Scale 
    Melodic Minor Scale 
    Blues Scale 
    Pentatonic Scales 
    Japanese Scales 
    Spanish Scale 
    Bebop Scales 
    Symmetric Scales 
    Other Exotic Scales 

 5) Meter and Rhythm 

 6) Chord/Scale Relations 

 7) Playing with Chords 

 8) Playing with Scales 

 9) Writing Songs 



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(4.4)  Harmonic Minor Scale

We are now really starting to look at other types of scales.  As mentioned earlier, everything up to this point has been very much based on the Major scale.

Even the Natural Minor scale is basically equivalent to the Major scale.  Because it contains the same pattern of intervals, but starting on a different note, it is known as a mode (the Aeolian mode, to be precise) of the Major scale.  More on this later.

By contrast, the Harmonic Minor scale contains a distinctly different pattern of intervals.





At first glance, it looks quite similar to the Natural Minor scale, except with the last note raised by a semitone (making a natural seventh degree instead of a flat seventh).

However, this one change makes a big difference to melodies and harmonies formed from the notes of the scale.  Here again is the chord sequence in A Natural Minor from the previous topic.





Now compare it to the equivalent sequence in A Harmonic Minor.  Because the note G is replaced with G#, this includes an Emaj chord instead of Em.  Notice how this causes the harmony to resolve much more firmly to the final Am.





The Harmonic Minor scale has an interval of three semitones (another minor third) between the sixth and seventh note, which produces stronger harmonies in its related chords.  This is the reason for its name.

It also produces very distinctive melodies.  One of best known examples is Toccata by JS Bach.





As written here, this piece uses the closest key signature of Am (or C Major) with no sharps or flats, but the G notes are sharpened with accidentals.

We have to do this, because the standard key signatures are all designed for the Major scale.  The Harmonic Minor contains a distinctly different set of intervals which do not exactly match with any Major scale.

Wherever you see the consistent use of accidentals for particular notes like this, it is a strong clue that the piece of music uses a scale type other than the Major scale.


ChordWizard products are designed to operate with other scale types just as easily as they do with the Major scale.

They maintain a collection of standard scale types which you can activate or deactivate according to your playing level.



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